Siddharth Kara's The Zorg: An Examination of Scarcely Imaginable Horrors at Sea
Over the spanning nearly four hundred years, the Atlantic slave trafficking system resulted in 12.5 million Africans forcibly taken from their homelands to the Americas. A staggering 1.8 million of those individuals died during the Middle Passage, enduring scarcely imaginable conditions of overcrowding, filth, and disease. Some chose to end their suffering by throwing themselves overboard, whereas still more were forcibly cast into the sea.
Two Interwoven Narratives
In The Zorg, author Siddharth Kara presents two interconnected narratives. The first chronicles a horrific incident aboard the eponymous slave ship—the deliberate murder of 132 captive individuals by its British crew. The second story examines how this event played a pivotal role in the ending of the Atlantic slave trade in 1807, driven in large part by the dedicated work of a dazzling array of abolitionist activists. Among them was Olaudah Equiano, who wrote one of the few surviving first-person accounts of the Middle Passage, describing it as “a scene of horror almost inconceivable”.
Liverpool's Central Role
The tale originates in Liverpool, a port city that at the height of its economic power was responsible for 40% of Europe's slave trade. Investing in slavery was a lucrative venture for everyone from the wealthy to the working classes. One such entrepreneur, William Gregson, accumulated his wages from his trade, ploughed them into the slave trade, and rose to become a prominent citizen and later mayor. Gregson financed the slave ship The William, which set sail from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its hold was filled with trade goods like tobacco, firearms, knives, and so-called “India goods” such as chintz and cowrie shells—the shells being a common currency in the purchase of human beings.
A Ship Seized
Around the same time, a Dutch slave vessel named the Zorg (later referred to by the British as the Zong) had departed the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy granted British ships permission to seize Dutch ships at sea—a virtual sanctioning of privateering. The Zorg was subsequently captured by a British captain and held off the Gold Coast. Meanwhile, Captain Hanley, on a slaving expedition, took aboard a fleeing British governor named Robert Stubbs, who had been expelled for graft.
The Nightmare Passage
When Hanley arrived at Cape Coast Castle—a stronghold with a vast holding cell beneath it—he took command of the captured Zorg. He then grossly overload it with enslaved people, put a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of dubious seamanship, its captain. In August 1781, the Zorg left Accra carrying 442 captives, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs.
Kara is particularly skilled at using historical documents to bring to life the collective nightmare of being trafficked on a slave ship.
The Zorg's journey was plagued with calamity. Dysentery ravaged the vessel, and then scurvy. The captain succumbed to sickness, became delirious, and appointed Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara masterfully utilizes eyewitness accounts to paint a picture of the sheer horror. The powerful testimony of Alexander Falconbridge, a doctor who became an activist, describes how the enslaved people's skin was often rubbed raw to the bone from lying on bare wood, their flesh caught between the planks.
A Calculated Atrocity
By late November 1781, the Zorg was still far from Jamaica and critically short on water. The crew resolved to jettison a number of the captives, who had already endured months of appalling conditions below deck. This monstrous act was not motivated by ensuring survival—the Africans had begged to be spared, even without water rations—but by cold economic greed. Ship insurance policies did not cover losses from natural causes, but they would pay for cargo jettisoned out of “necessity” for the ship's safety. Over a period of days, the crew murdered “those Africans who would be worth less at auction”—the weak, the sick, including women and children, among them a baby born during the voyage.
The Courtroom Battle
Back in Liverpool, investor William Gregson was unhappy about the financial return on his investment. He submitted an insurance claim for £30 per drowned captive—a considerable sum in today's money. The insurers refused to pay. In March 1783, Gregson sued and was awarded a trial by jury, with his lawyers arguing that throwing the enslaved people overboard had been “necessary.”
Catalyzing the Movement
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Just twelve days after the trial, an anonymous letter appeared in a widely read English newspaper. The author, who claimed to have attended the court proceedings, made a powerful case against slavery, citing the Zorg case as a key illustration of its brutality. Olaudah Equiano read the letter and took it to the abolitionist Granville Sharp, who petitioned for a new trial. At the subsequent hearing, the events on the Zorg were reviewed in forensic detail, exactly what the abolitionists had hoped for.
The Road to 1807
In the spring of 1787, the initial group of the Society for Effecting the Abolition of the Slave Trade convened. Over the subsequent years, they petitioned, orated, lobbied tirelessly, and meticulously documented the particulars of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of setbacks, the Act for the Abolition of the Slave Trade was finally passed in 1807.
An Enduring Impact
The debate over who or what should be credited for abolition is a matter of debate. The Zorg's legacy, however, is powerfully evident in J.M.W. Turner's famous painting, The Slave Ship, which was inspired by the events of 1781. While slavery has been near-universal in human history, its abolition following a prolonged mass campaign was historic, serving as an affirmation to the power of moral courage, the pen, and unwavering determination.
The Author's Approach
Unlike his previous books—such as the acclaimed Cobalt Red—Kara has had to address certain gaps in the historical record. At times, speculative passages sit awkwardly next to rigorously researched accounts, giving the book a somewhat chimeric feel. Part thriller and part serious nonfiction, The Zorg nevertheless succeeds in shedding light on one of history's most horrific episodes, using compelling prose and documented fact to assemble a account that stays with the reader well after the final page.